Paradise Lost

Michael Casts out
all of the Fallen Angels 

 Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton. It was originally published in 1667 in ten books, with a total of over ten thousand individual lines of verse. A second edition followed in 1674, redivided into twelve books (in the manner of the division of Virgil's Aeneid) with minor revisions throughout and a note on the versification; the majority of the poem was written while Milton was blind, and was transcribed for him.

The poem concerns the Christian story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Milton's purpose, stated in Book I, is to "justify the ways of God to men" and elucidate the conflict between God's eternal foresight and free will.

Milton incorporates Paganism, classical Greek references, and Christianity within the poem. It deals with diverse topics from marriage, politics (Milton was politically active during the time of the English Civil War), and monarchy, and grapples with many difficult theological issues, including fate, predestination, the Trinity, and the introduction of sin and death into the world, as well as angels, fallen angels, Satan, and the war in heaven. Milton draws on his knowledge of languages, and diverse sources — primarily Genesis, much of the New Testament, the deuterocanonical Book of Enoch, and other parts of the Old Testament. Milton's epic is generally considered one of the greatest literary works in the English language.

The story was revised into twelve books after initial publication, following the model of the Aeneid of Virgil. The book lengths vary—the longest being Book IX, with 1,189 lines and the shortest, Book VII, having 640. In the second edition, each book was preceded by a summary titled "The Argument". The poem follows the epic tradition of starting in medias res (Latin for in the midst of things), the background story being told in Books V-VI.

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Milton's Paradise Lost Book 2 audio

Scenes from Milton's Paradise Lost Part I

Scenes from Milton's Paradise Lost Part II

Paradise Lost

Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton. It was originally published in 1667 in ten books, with a total of over ten thousand individual lines of verse. A second edition followed in 1674, redivided into twelve books (in the manner of the division of Virgil's Aeneid) with minor revisions throughout and a note on the versification; the majority of the poem was written while Milton was blind, and was transcribed for him.

The poem concerns the Christian story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Milton's purpose, stated in Book I, is to "justify the ways of God to men" and elucidate the conflict between God's eternal foresight and free will.

Milton incorporates Paganism, classical Greek references, and Christianity within the poem. It deals with diverse topics from marriage, politics (Milton was politically active during the time of the English Civil War), and monarchy, and grapples with many difficult theological issues, including fate, predestination, the Trinity, and the introduction of sin and death into the world, as well as angels, fallen angels, Satan, and the war in heaven. Milton draws on his knowledge of languages, and diverse sources — primarily Genesis, much of the New Testament, the deuterocanonical Book of Enoch, and other parts of the Old Testament. Milton's epic is generally considered one of the greatest literary works in the English language.

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William Blake

William Blake (28 November 1757–12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a primary figure in the history of both the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry has led one British art journalist to proclaim him "far and away the greatest artist Britain has ever produced". Although he only once journeyed farther than a day's walk outside London during his lifetime, he produced a diverse and symbolically rich corpus, which embraced the imagination as "the body of God", or "Human existence itself".

Considered mad by contemporaries for his idiosyncratic views, Blake is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterized as part of both the Romantic movement and "Pre-Romantic", for its large appearance in the 18th century. Reverent of the Bible but hostile to the Church of England, Blake was influenced by the ideals and ambitions of the French and American revolutions, as well as by such thinkers as Jakob Böhme and Emanuel Swedenborg.

Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th century scholar William Rossetti characterised Blake as a "glorious luminary," and as "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors."

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