Albrecht Dürer

Albrecht Dürer (German pronunciation: [ˈalbʀɛçt ˈdyʀɐ]) (21 May 1471 – 6 April 1528) was a German painter, printmaker and theorist from Nuremberg. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since. His well-known works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.

Dürer was born on 21 May 1471, third child and second son of his parents, who had between fourteen and eighteen children. His father was a successful goldsmith, originally named Ajtósi, who in 1455 had moved to Nuremberg from Ajtós, near Gyula in Hungary. The German name "Dürer" is derived from the Hungarian, "Ajtósi". Initially, it was "Thürer," meaning doormaker, which is "ajtós" in Hungarian (from "ajtó", meaning door). A door is featured in the coat-of-arms the family acquired. Albrecht Dürer the Elder married Barbara Holper, the daughter of his master, when he himself became a master in 1467.

Dürer's godfather was Anton Koberger, who left goldsmithing to become a printer and publisher in the year of Dürer's birth. He quickly became the most successful publisher in Germany, eventually owning twenty-four printing-presses and having many offices in Germany and abroad. His most famous publication was the Nuremberg Chronicle, published in 1493 in German and Latin editions. It contained an unprecedented 1,809 woodcut illustrations (with many repeated uses of the same block) by the Wolgemut workshop. Dürer may well have worked on some of these, as the work on the project began while he was with Wolgemut.

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Crucifixion

Crucifixion was an ancient method of execution, where the victim was tied or nailed to a large wooden cross and left to hang there until dead. It is mostly widely known as a not uncommon but extremely dishonorable as well as excruciating form of judicial execution in the Roman Empire, though similar methods were employed in other ancient cultures. Crucifixion has special significance in Christianity, which holds that Jesus was crucified but later resurrected. Because of this the Christian cross or crucifix has become a common symbol of Christianity.

Crucifixion was used by the Romans (see Roman Empire) until about 313 AD, when Christianity became the dominant faith in Rome. However, it has been used in various places in modern times.

²⁴ And they crucified him and divided his garments among them, casting lots for them, to decide what each should take.²⁵ And it was the third hour when they crucified him.²⁶ And the inscription of the charge against him read, "The King of the Jews." (Mark 15:24-26 ESV)

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Four Horsemen of the Apocalypse

The Four Horsemen of the Apocalypse is a term used to describe four horsemen that appear in the Christian Bible in chapter six of the Book of Revelation. The four horsemen are traditionally named after what the verses describe them bringing: Strife, War, Famine and Death; only Death, however, is directly named in the Bible.

¹ Now I watched when the Lamb opened one of the seven seals, and I heard one of the four living creatures say with a voice like thunder, "Come!" ² And I looked, and behold, a white horse! And its rider had a bow, and a crown was given to him, and he came out conquering, and to conquer.

³ When he opened the second seal, I heard the second living creature say, "Come!" ⁴ And out came another horse, bright red. Its rider was permitted to take peace from the earth, so that people should slay one another, and he was given a great sword.

⁵ When he opened the third seal, I heard the third living creature say, "Come!" And I looked, and behold, a black horse! And its rider had a pair of scales in his hand. ⁶ And I heard what seemed to be a voice in the midst of the four living creatures, saying, "A quart of wheat for a denarius, and three quarts of barley for a denarius, and do not harm the oil and wine!"

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