Showing posts with label German composer. Show all posts
Showing posts with label German composer. Show all posts

Tuesday, December 14, 2010

Johannes Brahms

Johann Strauss II and Johannes Brahms
Johannes Brahms (pronounced [joːˈhanəs ˈbʁaːms]) (May 7, 1833 – April 3, 1897) was a German composer of the Romantic period. Born in Hamburg, he eventually settled in Vienna, Austria.

His first and most devoted supporter, Robert Schumann (1810-56), called him "another John the Baptist, whose revelations will puzzle many of the Pharisees, and every one else, for centuries."

Brahms's father, Johann Jakob Brahms, came to Hamburg from Schleswig-Holstein, seeking a career as a town musician. He was proficient on several instruments, but found employment mostly playing the horn and double bass. He married Johanna Henrika Christiane Nissen, a seamstress, who was seventeen years older than he was. Initially, they lived near the city docks, in the Gängeviertel quarter of Hamburg, for six months before moving to a small house on the Dammtorwall, located on the northern perimeter of Hamburg in the Inner Alster.

Johann Jakob gave his son his first musical training. He studied piano from the age of seven with Otto Friedrich Willibald Cossel. Brahms showed early promise (his younger brother Fritz also became a pianist) and helped to supplement the rather meager family income by playing the piano in restaurants and theaters, as well as by teaching. It is a long-told tale that Brahms was forced in his early teens to play the piano in bars that doubled as brothels; recently Brahms scholar Kurt Hoffman has suggested that this legend is false. Since Brahms himself clearly originated the story, however, some have questioned Hoffman's theory.


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 Johannes Brahms, Hungarian Dance No. 5

Wednesday, November 03, 2010

Johann Sebastian Bach

Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivaled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.

Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B Minor, the St Matthew Passion, the St John Passion, the Magnificat, The Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the celebrated Toccata and Fugue in D minor and Passacaglia and Fugue in C minor.

Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognized as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded one of the main composers of the Baroque style, and as one of the greatest composers of all time.

Without including the entire tradition of German composers, from Bach to Arnold Schönberg (when the links with tonality finally broke), this writer believes that, it is safe to say that Johann Sebastian Bach was the single most influencial composer in the history of Western musical tradition.

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includes Toccata & Fugue in d minor (BACH, J.S.), and Bach's Passacaglia and Fugue in C minor
 

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